Do you have to be middle-class to be a writer?
I suspect there are some who would like to think class has nothing to do with being a writer any more - in Tony Blair 's words, 'hey, we're all middle class now'. Except, of course, that that's rubbish.
I should 'fess up about what bothered me about that writer's observation about her Uni days - I was one of those 'posh kids from a private school'. Except that what's behind that statement is a little more: my Dad grew up in a tenement in Springburn before his family emigrated to Canada, my Mum in a council house in Knightswood, both areas in Glasgow (for those who don't know, Springburn once had the accolade of being the worst housing area in the whole of Europe). I was first-generation University educated - like many working-class parents, they held fast to the notion that 'nobody can take it away from you', in reference to a degree. That's important when you grow up in families where the main jobs are in industry the threat of redundancy is always hanging over you. That job could be taken off you in a second.
So my parents worked hard and made sacrifices to send me and my brother to a private school with an academic reputation. And yes, there were lots of 'posh kids' there - I remember still having the glottal stop when I got there (when you don't pronounce all your 't's) and being really aware that I spoke differently. I consciously changed the way I spoke to fit in - right or wrong? Well, I was 12. And at 12, you just want to be like everyone else.
Now - by way of two University degrees and a brief career as an academic - I write full-time as a critic and author. I have no sick pay, no maternity leave, no holiday pay, no occupational pension, no incremental pay rise. But thanks to my parents' efforts, I had the courage to make a leap and go for the thing I really wanted to spend my life doing - writing.
And what of 'class' in my writing life now? Well, two things. When I was researching for my non-fiction book, Between the Sheets, I read a ton of biographies. I've always been keen on history and biography anyway, but this time, because I was trying to pay the bills and take time out to research as well (I got a five-figure advance for that book but hardly enough to live on - £10,000, slightly less after agents' fees and half was paid first, leaving about £4500 to support me for the year I was writing it), I was very aware of the jobs held by biographers, especially women.
Academics aside, and there weren't many of them, they didn't seem to have 'day jobs'. The business of biography research is a slow and time-consuming one. How did they pay the bills, I kept wondering. Did they all have wealthy husbands? Were they all from rich backgrounds themselves?
Many of them probably had, and were. Biographies tend to be written by the middle-classes, because only the middle-classes can afford the time out needed to research.
Second point: I was once castigated by a literary editor for beginning an article with a gerund. I waited till he was finished berating me in front of everyone in the office then calmly said, it's not a gerund. that's a verbal noun. This is a verbal adjective. It's a gerundive.' Because I had a classical education,too, I wanted to add. I'm not saying a private education is best if you need to score points off other people. But at that moment I was grateful for it.
What about fiction, though? How we love the story of single mum J K Rowling scribbling her multi-million pound first Harry Potter in a cafe, where she sat all day because she couldn't afford heating at home. In the twenty-first century, we're still sentimentalising the working-class effort, because the truth is, it shouldn't be happening.
If you're working-class, you shouldn't be writing - and definitely not anything 'literary'! That's the message, anyway. Government grants are meant to help with this, but they're occasional and when you don't have much money, an occasional grant just delays the problem, it doesn't solve it.
I'd like to see the state pay wages to writers - I know people like Janice Galloway have called for this in the past. Would I be ineligible for being a 'posh kid from a private school' though, even though I earn less than many 'working-class' jobs pay? I hope not. But we do need to make a greater effort to ensure that class doesn't have a place in whether you think you can be a writer or not. I attend book festivals every year, either to review or chair. And they're predominantly middle-class (at one, I overheard an author say to the rest of her panel, 'Oh my goodness, three of us are called Charlotte! we're so middle-class!')
I've suggested before that book festivals have tickets that are free for the unemployed. Not just discounted, but free. I've been unemployed plenty of times in my life and book festival tickets, funnily enough, aren't a top priority. The middle-classes still have a monopoly on the production and, if festival attendance is anything to go by, the consumption of literature. We need to do something about that monopoly. But not by stereotyping, or making assumptions, even though I bet I've made a few in this post. It's hard to avoid, but we can try.